Saturday, February 4, 2017

Tony Molina - Dissed And Dismissed (2013)

12 songs. 11 minutes. Guitar solos galore. Motherfuckin Tony Molina!!! "Cyber Fox"and I saw this glorious man without knowing who he was & man were we blown away. (I liked him more though haha) Ever since then, I got ahold of most of his discography and saw him live one more time. Dude's dope. Trust me. Tony's a shred master/guitar god tbh. So how is this album short as hell? There's basically no chorus, just a bridge & riffs. That way, each song is about a minute or less. And there's almost a guitar solo in every damn song & its really fucking good! Tony's guitar skills are pretty underrated & he can shred pretty damn good. He even does some slow type solos, but even then they're pretty dope. Sonically, he sounds kinda like Rivers Cuomo from Weezer. I always describe him to people as a Mexican Weezer with more "balls" lol. Lyrically, the album is actually a "breakup" album. Like too many girls just broke his heart. LEAVE TONY ALONE!!!!! But he did good by turning those experiences into badass music. If the first three sentences didnt catch your attention, maybe the bulk of this short review did. Go listen to this power pop masterpiece now!

Standout Tracks: THE WHOLE FUCKING ALBUM!!!!!

Friday, February 3, 2017

Disconscious - Hologram Plaza (2013)

Ever wondered what being trapped in a 80's/90's mall would feel like? You probably haven't, but this mallsoft gem by Disconscious will perfectly encapsulate that feeling. Mallsoft is another branch from vaporwave, but this time, the songs are created to bring back the old muzak sounds of shopping malls/plazas/waiting rooms. Filled with the sounds of haunting nostalgia, Hologram Plaza takes you on a trip back in time where the mall was THE place to be. All of the song titles perfectly describe a long trip to the mall actually. You can just imagine all of the neon lights, bright colored clothing, and and bitter people from the days of yore. So like most albums of the vaporwave family, all songs consist of sample manipulation. Everything from Italian movie soundtracks (Mattress Store) to a song that appeared in a Tim and Eric sketch (Shopping Delirium) get "chilled out" and put under a lot of reverb and tape hiss effects. Nothing on the album is pretty loud, so it can even be listened to while sleeping. I personally use 2 songs from here as background music to sleep to every now and then. Its also a good album to listen to while working on homework or other similar shit. The album sorta sounds like the music old weather channels would play too. So yeah, this one's a little short but sweet. Enjoy ( ͡° ͜ʖ ͡°)

Standout Tracks: Shopping Delirium, Midnight Specimen, Endless Escalation, Mattress Store

Sunday, January 15, 2017

Box Car Racer - Box Car Racer (2002) [iTunes Plus]



Box Car Racer – Box Car Racer. Box Car Racer was a short-lived project created by ex-vocalist, Tom DeLonge and reinforced with blink’s, Travis Barker, guitarist, David Kennedy and bassist, Anthony Davis. Taking a long glance at Tom’s work, I feel as if this particular project was aimed at personal issues since most of the production is a lot darker inclined sounding than blink’s stuff. If you despised blink’s sound then there’s a slight possibility this record may interest you. Opening up the album is the highlight track, “I Feel So”, being BCR’s debut single, this track was a true neat melody really if you’re ever trapped in a whirlwind of insecurities. Chorus was plain and smooth but with an addicting dazzling aftertaste that’ll stick to you like pink bubblegum for a while. Another track that caught me ears was, “Cat like Thief”. Rancid’s, Tim Armstrong, excelled super well with the production on this one. It’s always a refresher to hear how different vocalist adapt or sound on certain sound and Tim managed to rip it up. We make way to hear possibly Tom’s best work he has ever created; “Letters to God”. A perfect crafted acoustic track where tom spills his emotions as he pleads and begs God he really does not want to ascend. Lyrics are important on this one and the way the track concludes in a very explosive way is beyond radiant. “My First Punk Song”, pays homage to blink’s earlier works before main stream success. A fast paced silly punk song with comical lyrics that may even be sister songs with blink’s “Happy Holidays, You Bastard”. Skipping along we find a track named, “Sorrow”. This song is my 2nd favorite track from this self-titled lp. A gloomy life-relating song that accompanied me last year around summer. I think I cried to this track once lmao. idk remember. The closing track labeled as “Instrumental”, defiantly hints Angel & Airwaves (No one knew that at the time) with the space-rock instrumentation. Overall, BCR was a good solid release and a way more maturing sounding album than anything blink has ever released. I would like to give a special thanks to Isaac because he made me revisit this album and he has a nice big...heart! 

Saturday, January 14, 2017

Convenient Integrative Moods - Convenient Integrative Moods (2013)

Are your business meetings lacking a bit of pizazz? Are your powerpoints a bit on the boring side? Are the bigwigs at your powerful corporation not taking you seriously? Are you missing the office when you're stuck at home? If you answered yes to all of these questions, look no further. Convenient Integrative Moods is the right choice for you! This efficient corporate tool contains eleven technologically modified "moods" that can perfectly accomodate any office-type setting. These moods have been proven by many business studies to increase efficiency in the workplace.

TRY  Convenient Integrative Moods  TODAY

haha enough consumerism banter. this album falls into the vaporwave category, but it's kinda in a weird place of it's own. most vaporwave cuts are just slowed down 80's synthpop songs that are chopped up, but this one was actually made with very little samples. most of the album was created entirely with old keyboards and drum machines. a lot of the sounds are kinda cheesy, but thats vaporwave for you. its supposed to have a kitschy sound to it ya know? basically, this is the kind of music that you'd listen to if you were in some sort of waiting room in the 80's/90's or an old corporate training video. this is not gonna be for everyone, but i'll still put it here. it's perfect as background music when you're working on assignments or just to chill out. it also helps if you're into ambient-type music, cause this album does have some similar structures to ambient music. just ride that vaporwave bro.( ͡° ͜ʖ ͡°)

Standout Tracks: Positive Feedback Session, Every Accomodation, Structured Nighttime Activities, Working In The Night, Investing In Fine Art

Friday, January 13, 2017

¿¿¿ Velvet Cacoon - Genevieve (2004) [320 Kbps] ???


Velvet Cacoon – Genevieve. Velvet Cacoon, was a mysterious black metal band based off of the city of Portland, Oregon. Consisting of 2 members: Josh (SGL) & Angela (LVG), VC have convincingly created a particular sound by blending in traditional black metal with genres such as ambience and shoegaze all together to establish a lavish product. Their band name derives from their abuse of dextromethorphan and from a local catacomb they would frequently visit for tranquility and to simply write music. Not much is known about their origins or their introduction to their musical careers. They have claimed to have a drummer (SKV) who passed away from tumbling off of the Cascade Mountains. In addition, VC also coined their special instrument called the diesel-harp, which was some sort of diesel powered guitar that had been amplified and recorded in several underwater aquariums to create music for their discography. With bundles of early demos in the late 90s that never saw the light, and heavy influences of ELF (Earth Liberation Front) and the band being asexual with having no interest in procreation, the question remained… WHO WAS THIS BAND??? Anyway, Genevieve is a modern day hidden jewel in the black metal genre. This is VC’s 1st actual release to the market and the public and it was released through the record label, Full Moon Productions. The album begins bold with the introductory powerful track called, “1”. A calculated drum machine makes its way accompanied by foggy shoegaze flavored riffs to already create a dominant start for the album. The vocals then make their way to hype up the track even more. Josh stated that the vocals aren’t meant to tell a narrative, as they’re more inclined solely for sound purposes. Another highlight is around the middle of the track, the atmosphere immediately shifts and you’re then taken underwater where the track for a minute sounds like a dark drone/ambient track. After the minute, you’re then taken up ashore with the reoccurring haze drowning you. A really nice crafty effect indeed. The 3rd track called, “Avalon Polo” hints more of the ocean. A familiar sound emerges with a lighter and brighter sound than the introduction track as it slowly devours you down. The ending of this track deals with soft guitar strings without the mist and the sea. The following track is a song that I didn’t digest well when I first heard it, but later has become one of my favorites. The track is called, “Laudanum”. A very compelling crafted track that is tagged along with noisy loud guitar riffs and with emotional and lucrative high vocals that will knock you off. The track picks up well when the strings switch gear and you hear the addition of soft piano keys being added to the raw loudness potential the track presents. A very tragic ambient piece concludes the track that’ll make you weep or will leave you frozen for a minute or so. As we make our way through the end of the lp, Fauna & Flora” is a more brutal eerie track that I personally fell in love with at 1st listen. So dark, crispy and ethereal that it’s hauntingly beautiful and it certainly adds replay value to the song. The self-titled album track, “Genevieve” also kills and delivers a smooth harmonic production. I love the rhythm of this track and how glossy these guys can make black metal sound. The closing track of the album is, “Bete Noir”. A long 18 minute ocean influenced ambient piece that you can use for driving or simply just to zone out and storm thoughts. In conclusion, repetition is a heavy notable key in this album. This album is not an easy one to digest at first listen but will be damn well rewarding if you do come back to re-listen. Aftermath is the early demos were never real to begin with, the band was releasing plagiarized works from different bands and profiting off of them as well. VC practically were trolling around in the black metal genre. Lmao. The audience are now questioning who really released the album, "Genevieve" or if this album is even a legitimate album. Furthermore, people are also releasing their music via name Velvet Cacoon to expose their music too lolol. 

Purchase? : Amazon / iTunes 

Thursday, January 12, 2017

Beach House - Beach House (2006)

Image result for beach house self titled
You have two ears and a heart, right? So use them and listen to this gem! Beach House. Man oh man. Beach House is a dream pop band that only has two wonderfully talented members: Victoria Legrand and Alex Scally. On this album, (and the rest of them) Victoria takes care of the vocals/organ/keyboard/drum programming and Alex is in charge of the guitars/additional keyboards/drum programming/backup vocals. Basically, these two spilt the duties pretty evenly. Anyways, this is their debut album and arguably their best one too. It has a dreamy feel to it, especially since Victoria's vocals sound like she recorded the songs while she was sleepy/just woken up. Her voice is a little on the low side, but she croons so beautifully. Like she can probably sing anyone to sleep in a matter of seconds. The production on here is soaked in reverb and has a sort of "openness" to it. One of the funniest but most accurate ways I've heard someone describe the way the album sounds came from my brother-in-law. He said, "It kind of sounds like churchy-type music made by indie people.". Besides that "churchy" sound, the album kinda sounds like a series of somewhat haunting lullabies. Not in a bad way though. The songs just sort of have this kinda creepy vibe to them. Or even like a longing-type vibe. Something you'd play for someone you've missed. Idk. There's honestly no bad tracks on this album. It's pretty fucking good from start to finish. This is probably best to listen to while on a long trip somewhere, a cold winter day, or when you just wanna lounge around with your significant other. So just kick back, relax, and drift away....

P.S.: "cyber fox" and I have agreed that this truly is Beach House's best album. See for yourself.

Standout Tracks: Saltwater, Tokyo Witch, Master Of None, Childhood, Lovelier Girl

Tuesday, January 10, 2017

t.A.T.u. - 200 km/h in the Wrong Lane (2002/2012) [iTunes Plus]

(*Russian art cover)
(t.A.T.u. – 200 KM/H In the Wrong Lane (10th Anniversary Edition)


t.A.T.u. – 200 km/h in the wrong Lane. NAS NE DAGONIAT!! Russian duo consisting of Julia Volkova & Lena Katina, gained astonishing world success with the release of their sophomore album, 200km/h in the wrong Lane. With an also prosperous Russian debut album, t.A.T.u. where now on a difficult mission to chase the gold worldwide, manufacturing an English album after their following accomplishments with their 1st release, 200 po Vstrechnoy. 200 km/h in the wrong lane, calls attention to such topics as love, desire, disobedience etc. and also dismantled many conflictful barriers that society has in terms of sexuality. Since mostly all of the tracks were translated into English from their previous album, the production on this album I feel was a huge upgrade comparing it to their past album. This one is topped off with more energetic rock, synth-pop and even some electronic elements. Like in Russia, “All the Things She Said” was a huge success in the US. With a catchy chorus like that, it damn well deserves to be my next ringtone for my cellular device. The release of the video gained heavy attention around the globe when both members exchanged lips on national television. This hadn’t been done and was mimicked by legendary pop artist, Madonna years later. “Not Gonna Get Us”, is the second track on this album.The song clarifies an undeniable love not comprehended by peers and foreigners. The track also has a euro-dance feel blended with dark guitar bass lines. “Show Me Love”, is again another hypnotic banger with a nice memorable chorus and very emotional vocals that were conveyed by both Julia & Lena. Around the middle of the record, a familiar track called “How Soon Is Now”, makes its way and stands out from the rest of the glossy tracks. It appears to be a cover of The Smiths – How soon Is Now, and is certainly not bad as I expected it to be with all of the covers that the song has. Malchik Gay, translated to “Gay Boy”, is a dope track about a girl who shows affections towards a sweet, tender gay boy who is unfortunately to their luck is already committed to another boy. This version is refined and is a little more pop and slower sounded while the Russian version from the previous album I enjoy better since it's produced with a more uplifting feel and way faster beat. Coming to an end, this album sadly was t.A.T.u’s only important record out of their homeland. Julia later became pregnant which lead fans to heavily question if the pop duo were really lesbians or not. Turns out it was all marketing strategies organized by their record label to boost sales. Nonetheless, this duo will never be duplicated for the heavy impact they contributed in terms of pop, image, and of course rebellion. Give this record a spin plz! I promise you it'll be worth it!! 

Purchase: iTunes / Amazon